Other filmmakers your age don't seem to be able to connect with younger audiences any more. The apathy of the Indian filmmaker makes him disconnected. You have a lot of surface dazzle, cinematic razzmatazz, but you are disconnected from Indian-ness. But that does not mean you don't touch India of bygone days.
The moral references and dreams of young India under 25 have changed. Their definition of love has changed.
Today, it is love at first sight and break up at first fight. It's very easy to fall in love these days, but very difficult to stay in love.
Why? Because we are living in an age driven by instant gratification -- instant coffee, instant entertainment, Twitter, Facebook, connect now. Everything now.
The romance of sending a postcard and traveling days to reach your beloved has gone. Now, youngsters send SMSes. We are in different times, so we have to make products for this generation.
When did you realise times had changed and that you needed to reinvent yourself?
I did that in the early 1990s. I junked my Saaransh and Arth models to make Aashiqui and Dil Hai Ke Maanta Nahin.
Then I reinvented myself to make Jism and Murder in the early 2000s. People wondered what had happened to the Mahesh Bhatt who had made Arth and Saaransh. They said he has become depraved and has deteriorated.
No, I was reinventing myself. I knew India had changed. Youngsters embraced these products.
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