Tell us about your character in Rann.
I play Vijay Harshvardhan Malik, the owner of a news channel. He has a powerful voice, a voice of truth and integrity. When he talks in front of the camera, people believe he speaks only the truth.
Vijay is tricked into lying about some news. What happens next and its consequences make the rest of the film.
Do you believe that news is often planted?
It depends on what context you say it. There are many instances where the media questions people but does not practice it themselves.
For instance, a man was dying on the road in Andhra Pradesh, and a minister's car stopped next to it but left without helping the man. All this was captured on camera by the electronic media and showed repeatedly on television. Some sections are asking why the cameraman, who captured the incident, help the dying man since he was witness to what happened.
(Editor-in-chief, CNN-IBN) Rajdeep Sardesai wrote a column in Hindustan Times, expressing his grief that news is bought these days. I called him up and said it was a brave of him to write something like that. It is the media's job to put up news. There is no problem if you are being paid to do so. But you should make a disclosure.
While making a film, we cannot show only one side of it. We have to show all the perspectives or else there won't be poetic justice. Every film should have poetic justice in the end or else it will not succeed.
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