At 41, Jennifer Aniston has a body to die for. A fact she loves to highlight through a series of semi-nude poses for magazines, movies or merchandise endorsed by her.

Whether it's her discipline to yoga or a rumoured diet of baby food, the funny star of Friends, with her washboard abs and sculpted frame, is hotness personified.

Currently she's making all possible buzz for her soon-to-be-launched perfume, Lolavie, by drawing attention with a super sexy, black and white ad campaign featuring the stunner in nothing more than a figure hugging sarong.

Here's a look at Aniston's previous topless endeavours.

Playing Rachel Green on the NBC sitcom Friends turned out to be a golden opportunity for Aniston. Not only did it make her a household name but also landed her this sizzling hot cover on Rolling Stones magazine.

It's almost as though she's saying, who needs to dress up when you've got THE haircut?

After her split with husband Brad Pitt, Vanity Fair magazine carried an extensive interview with an expectedly emotional Aniston.

The cover had her posing in a over-sized white shirt but the centre spread inside had the star bare all cuddled up to project the idea of vulnerability.

For a scene in Peyton Reed's Chicago romance, The Break-Up, about an estranged couple living under the same roof, Aniston agreed to walk naked across the corridor to grab her partner's (played by Vince Vaughn) attention.

The camera angled itself smartly enough to give away a great deal without showing it all.

Aniston lets her inherent Grecian sexiness do all the talking as she goes shirtless to pose as the first ever lady to grace the cover of celebrated men's magazine GQ.

Trust Jennifer Aniston to turn a scorching 40 by outdoing her earlier topless cover for GQ by simply photographing in the buff with a silk tie as her only accessory.

Would ex-husband Brad Pitt approve?

Aniston has been the face of enhanced water product Smartwater for quite some time.

The latest advertisement showcases her well-toned arms and drooled-after legs, for she's draped in little more than a shifty towel.