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Ten topnotch Clint Eastwood moments

Last updated on: May 31, 2010 10:02 IST

Image: A scene from Where Eagles Dare
Raja Sen in Mumbai

There's very little that hasn't been written about Clint Eastwood, eulogising the man in his 80th year (he turns 80 today) as he remarkably continues to make movies at a faster gallop than men one-third his age.

A favourite of both Oscars and audiences, the cowboy keeps riding on, and all we can do is salute him.

Therefore, when Rediff asked me to write about Clint, I decided to pick moments. Moments of action, wit, savagery, subtlety, nuance, machismo and sheer overwhelming awesomeness.

So here's my best of Clint, in his own words:

10. Where Eagles Dare 

In this multistarrer classic war film, Eastwood's Morris Schaffer swiftly dispatches of a German soldier with a knife.

"That was quick," says Richard Burton's Major Smith.

Schaffer, wryly: "Fear lent him wings, as the saying goes."

9. Unforgiven

Image: A scene from Unforgiven
When Clint's lethal Will Munny makes a threat before walking out of a building, he really doesn't leave a goddarned stone unturned: 

"All right now, I'm comin' out. Any man I see out there, I'm gonna kill him. Any son of a b***h takes a shot at me, I'm not only gonna kill him, but I'm gonna kill his wife. All his friends. Burn his damn house down."

 

8. A Perfect World

Image: A scene from A Perfect World
Eastwood's Red Garnett gets brusque with the enthused Sally Gerber after she uses too many 'fancy words.' 

Sally: The idea is that an understanding of the particular behavioral case histories should, in parole situations, help the subject to avoid habitual traps and, in penal escape situations could, conversely, identify those self-same traps as an aid to apprehension.

Red: In the first place, Miss Gerber.

Sally: Sally, please.

Red: In the first place, Sally, it ain't a 'penal escape situation.' It's a manhunt. Fancy words in a circle don't help much.

Sally: And what does?

Red: A nose like a Blue Tick, a medulla with an antenna and a helluva lot of coffee.

7. Bird

Image: A scene from Bird

Eastwood's Bird, about legendary saxophonist Charlie Parker, is one of his finest, and even though the film didn't star Eastwood -- with Forest Whitaker playing Parker and winning a Best Actor prize at Cannes -- the film has his stamp all over it.

Here's where Charlie's wife Chan asks him about getting back in touch with Dizzy Gillespie:

Chan: Dizzy sent you a birthday card. Seems he's back in town. Do you owe him a phone call?

Charlie: I owe Dizzy everything... except a phone call.

6. For A Few Dollars More

Image: A scene from For A Few Dollars More

Eastwood's bounty hunter Monco is counting reward sums, from outlaws he's gunned down.

"Ten thousand... twelve thousand... fifteen... sixteen... seventeen... twenty-two. Twenty-two?"

He fumbles, as if the number isn't right. Another outlaw approaches, and Monco turns and fires, killing him instantly.

"Twenty seven."

5. The Outlaw Josey Wales

Image: A scene from The Outlaw Josey Wales

And then there were times Eastwood played the outlaw instead of the bounty hunter, and here he is as the legendary Josey Wales, expressing scorn at the bounty boys:

Bounty hunter: You're wanted, Wales.

Wales: Reckon I'm right popular. You a bounty hunter?

Bounty hunter: A man's got to do something for a living.

Wales: Dyin' ain't much of a livin', boy.

4. Gran Torino

Image: A scene from Gran Torino

Clint's grizzled Walt Kowalski, in response to a priest asking why he didn't call the police instead of taking matters into his own hands:

"Well, you know.. I prayed for them to come, but nobody answered."

3. Dirty Harry

Image: A scene from Dirty Harry

Eastwood's Harry Callahan utters one of the most quoted lines of all time:

"I know what you're thinking. "Did he fire six shots or only five?" Well, to tell you the truth, in all this excitement I kind of lost track myself. But being as this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya, punk?"

2. A Fistful Of Dollars

Image: A scene from A Fistful Of Dollars

Eastwood's Man With No Name showing extreme overconfidence as he tells an undertaker to prepare for a gunfight:

"Get three coffins ready."

And after the very same gunfight:

"My mistake. Four coffins."

1. The Good The Bad The Ugly

Image: A scene from The Good The Bad The Ugly

Eastwood's Blondie to Eli Wallach's Tuco, after Tuco realises his gun is out of bullets:

"You see in this world there's two kinds of people, my friend. Those with loaded guns, and those who dig. You dig."